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Antonius Wiriadjaja combines techniques from creative writing, cognitive science, and guerrilla theatre to tell stories in new media.

He is currently pursuing a master's degree at NYU's Interactive Telecommunications Program (ITP).

February 2, 2010

Model Sheet - Cai Loon/Captain Crane

Using an animal as a superhero’s moniker or source of her power is a trope I’ve always been interested in. The crane, with its heavy presence in Asian mythology, has generally been used as a vessel of exoticism by Hollywood and popular culture (cough, Karate Kid, cough, Kung Fu Panda, cough cough). Therefore, I was interested in exploring the crane as a different type of hero. I started to write a children’s story about a little boy who could turn into a paper crane. His weaknesses are many (i.e., water, fire, bookworms) but he makes up for them with his swiftness and bravery, aspects which he’ll later realize he has always had.

I named the boy Cai Loon, after the Chinese patron saint of paper, and set the story in Holyoke, Massachusetts, America’s paper city.

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